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Menampilkan postingan dari Desember, 2018

Review: Aquaman

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In his first appearance in 2017's Justice League , Jason Momoa’s Aquaman made his mark by being the bro-est superhero around. Now he has his own movie, and director James Wan actually dials down his bro-ness – which is pretty much the only thing dialled down here, because this is a film that’s going extremely hard in pretty much every direction. While not all of it works, its failures end up being part of its charm: whatever you think of its extremely loud and fairly dumb approach, it knows the only way to make it work is to commit 100%.  There’s a real balancing act going on here: even for a superhero, underwater fish lord Aquaman is hard to take seriously, and yet treating him as a joke would be fatal. So this sets out to make him the most normal thing in the film, plonking the hard-drinking part-time superdude into a meandering story that takes in a sad lighthouse dad, seven distinct (and usually bonkers) undersea kingdoms, a royal feud, the title “Ocean Maste...

The best and worst of 2018

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First, some caveats: I have not yet seen Aquaman , Eighth Grade or The Favourite , some or all of which might possibly sneak into my top ten. I also haven’t seen Gotti , because it didn’t get a commercial cinema release in this country and if we’re going to let direct-to-DVD titles into this kind of list then the worst movies of the year are all going to be things sensible people have never heard of. So these are all titles I saw at a cinema in 2018, otherwise the film of the year would have been Brawl in Cell Block 99 and we could have given up on movies by the end of January.   Best films of 2018: As is often the way, I easily could have listed twice as many films here. While these are in no particular order, just outside the top ten were a whole lot of films, including Roma , Cold War , Upgrade , Won’t You be My Neighbour , Sweet Country , A Simple Favour , Teen Titans Go! to the Movies , First Reformed , The Breaker-Upperers , Juliet Naked and Tully . But this remains my to...

Review: Can You Ever Forgive Me?

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Author Lee Israel (Melissa McCarthy) is in trouble. Her last book was a flop, her agent is ducking her calls, she can't make any progress on her next book and she's hitting the bottle pretty hard. Worse, she's not exactly someone whose company people enjoy; when she's fired from a fact-checking gig (for drinking and swearing on the job) it's hard to see her securing steady employment around people any time soon. When she stumbles across a letter written by Fanny Brice (the subject of her next book) she promptly tries to sell it - only to discover the lack of spicy content means it'll only bring in a small sum. Adding a gag-tastic PS bumps up the price, and soon Israel is forging celebrity letters left right and center, going so far as to collect a range of authentically old typewriters to give her forgeries some much-needed authenticity. With this boost in her fortunes comes a boost in her personal life, as she makes a friend: Jack Hock (Richard E ...